This year’s Quad Play saw a return of Macbeth, the fourth time the “Scottish Play” has been produced since the annual series began fifty years ago.
Shakespeare’s tragic play shows how easily tempted are those who allow ambition to trump their humanity. Macbeth begins as noble and worthy, but all too quickly descends to being a bloody tyrant, for whom life becomes meaningless.
Belinda Annan’s production once again made imaginative use of the Quad‘s spatial potential, this time orienting the stage toward the Chapel of St Peter – perhaps an ironic nod to Macbeth’s betrayal of his own soul.
The staging was particularly effective in the crowd scenes, such as the opening scene where the cast streamed into the Quad, leaping and shouting, in an impressive portrayal of battle alarum. The use of individual microphones kept the diction clear, and lighting created dynamic contrasts so essential to the play’s dark themes and setting.
Year 12 student, Hal Porter was a strong Macbeth, equally believable as a noble captain and a ruthless murderer. His forthright delivery brought purpose and clarity to the role. Esther Nastri, from Melbourne Girls Grammar (MGGS), as Lady Macbeth likewise made a convincing transition from bloodthirsty accomplice to tormented victim, beset by guilt.
The three witches were a highlight, with Amaya Martinez Doyle (MGGS) quite terrifying in her demonic vocalising, well supported by Vincent Chang (Year 11) and Luke Ramadge (Year 11).
Hirunaka Ekanayake (Year 11) brought suitable energy to the role of MacDuff, as did Ryan Mooney (Year 11) in his portrayal of Malcom. Year 12 students Ashley Wahlqvist and Natalie Seebeck added nuance as the lords Lennox and Ross.
An unexpected element was the foregrounding of the character of Fleance, played by Saxon Taranto (Year 10), who bookended the whole show with his impressive singing and acting.
Dr Martin Ball
Head of Enrichment
